Snippets from a bead artist.

2.03.2011

Spaces



I finished another cuff!! I am so happy that I made another one - it's been awhile - but I'm not very happy with how it turned out. I think I should have done something differently, but I can't put my finger on what. It's had a good reception, and people seem to like it, but I'm very lukewarm on it, myself. I keep wondering if the crystals on the edges of the cabs are what are bothering me, or if it's the fact that I think my embroidery seems messy, due to the unrelenting black. I think I was a little crazy when I made it; it's almost all size 15 seed beads and took forever.


I'm thinking on whether I should list it in one of the shops, or send it to the gallery this month when I pick up my October's Goddess necklace from it's display at the Members' Exhibition. Or maybe it should go to New England Beads to hang out...



Now I'm off to start a new project; making a necklace and a cuff for one of my bestest friends on Facebook!! She has sent me some drop-dead gorgeous cabs and crystals to work with and given me complete artistic license to make whatever comes to mind... she's a wonderful lady!

1.29.2011

Bead Journal Project January 2011


Hi all!! I am so excited to show off my very first BJP piece!! I finished it last week, but we didn't get to take the photo until today.

I'm thrilled that I've committed myself to this project this year, and very excited that I think I have chosen a way that will enable me to keep that commitment. I am planning on making a 2"x2" square each month, each with a different motif or pattern, and then combining all of the squares at the end of the year to make a bead embroidered purse. I'm going to use the color black as a unifying element throughout, and possibly brass or bronze as the accent.

This month I chose a green and blue palette, and made a 'quilt square' pattern. It was harder than I thought it would be, especially to get the lines straight and even. But I am enjoying how it has turned out, and have also enjoyed getting materials out to work on throughout the year. Fun!! Also very fun is looking at all the gorgeous works that others have been making for January. Do click on the LINK and go see what everyone has been doing!


In other news, I finished a bangle bracelet with Sand Opal Swarovski elements in it, and I am soooooo in love with this crystal I can't tell you. I kept the colors to a minimum and just used bronze and matte gold for the setting, to show off the crystals better. I called it Regal. And, wonder of wonders, I actually made a pair of earrings for a change, to match!!


Now, on to thinking of February's square, and finishing the new cuff I've started.

1.09.2011

Mistakes, Self Doubt and the Ah-HAH Moment of the Week



I make mistakes. LOTS of them. And lots of them in beadwork, too. I once read of a beading artist who said something along the lines of ‘I won’t sell it unless it’s perfect.’ And I went ‘Huh??’ because I haven’t made one single thing that I think qualifies as perfect. Starting out, I made even more mistakes...tension mistakes, bead choice mistakes, color mistakes, you name it. And I was determined that my piece WOULD be perfect, darn it, or it would go in the mass of tangled bead remains that I keep in case I should ever need that particular bead again. Needless to say, the outcomes were not perfect. I was just starting to learn!! High expectations, indeed. And that set me up for the inevitable self doubt, where one starts to wonder if one can, in fact, make anything at all. I would sit there, sulkily picking at my very visible knots, and think myself into inaction. I had lovely visions of all the things I wanted to create. Ah...but they wouldn’t materialize! Ok, then, I couldn’t come up with a design on my own. Well, then, I better get to practicing.


So then bead books, bead magazines, bead-related web sites, pattern sales, ANYTHING that was published was fair game (as long as it was ethical - I learned quickly that I didn’t care for myself too much if I strayed across that line). I made projects. I messed them up. I made them again. I did one project in Beadwork magazine no less than TEN TIMES over until I was pleased that I had finally figured out the directions. (Um, that one’s actually pretty funny, as it turned out that they had meant to print one direction differently and made a correction/apology in the next issue - by which time my TEN TIMES over project had already revealed the mistake to me...)


I was obsessed with learning to increase and decrease peyote until I could make something 3 dimensional that was self-supporting. I did tutorials and book projects until they were coming out of my ears. Tokia Bridges, Julia Pretl, anything and everything I could find. (Proof is in my Vessel gallery on my website - almost none of them are my own design.) I made Christmas ornaments from patterns bought on Paula Adams’ site. (They were all gifts.) I made beaded beads. Many many vessels and ornaments and beads later, it finally clicked and I understood that a bead placed HERE would not only make it smaller, but would either pooch the beadwork out, or pull it in. Big huge sigh of accomplishment, and I happily made three or four of my very own designs. And then, of course, once it was thoroughly learned, I got bored.


This happened with most stitches. I would obsess, do a few hundred projects, finally get to making my own designs, and get bored. And through every single one of my little rabid stitch obsessions, I made mistakes. It took me years to finally stop cussing and start paying attention to the fact that every mistake taught me something else; pay more attention to where your thread path leads and exits; break the darn bead if it’s ten miles back from where you are currently instead of ripping out YARDS of beadwork (and go back and add the proper bead later); make a knot when you’ve completed a bit you’re particularly happy with; slow down; try a different bead, etc etc.


At some point, I stopped doing the projects, although I continue to get the books and magazines. I read through the projects now to understand how the artist got the effect that they created, and I pay the most attention to the bits that are labeled “NOTE” or “Artist’s Tip.” And I love what artists are making; but now I just want to make something that their project inspired, or make something completely different... Although I must confess, I am still obsessing - over freeform peyote, which has me bamboozled. I’ve made two bracelets (my own designs) and I am still voracious for more technique information, more hints, more tips. I look at freeform peyote and fondly wonder if it came about from a mistake: “Crap! Look at that! I used the wrong color for at least an INCH while I was watching that TV show.... wait, what if I add this? And then maybe this other size?? Hey! That’s COOOOOOLLLLL...”


And I still make mistakes. Nowadays, I hide them better, that’s all. Or I manage to incorporate them into the design (I LOVE bead embroidery!!!!), or, as a last resort, I go back and fix ‘em. And I finally LIKE them a little. It’s OK with me that I make the mistakes, I don’t mind learning from them, or having to go back and try again. I can take up some beads, make a complete mess, and go ahead and start again without the level of frustration I had before. Because now, by some magic, and a lot of practice, I can at long last create what I see in my mind. And to me, that is amazing and thrilling and, to quote my Mom, ‘the cat’s ASS!!!!!!’ (By which she meant awesomely incredible.) So that was my ah-HAH moment of the week. It took forever, but I’ve learned enough to feel comfortable trying things and not having them work every time. Wow. This made some of that horrible self-doubt recede into the background, at least for now. Freedom!!


In particular, I was so happy with my newest bracelet design, Black Ice. I had this vision kind of floating around happily in my head...not very well defined (my muse doesn’t work that way - I don’t get detailed schemata, I get fuzzy visuals with no details), but just THERE. It wouldn’t go away. I worked two whole other projects (maybe three) while it drifted around... and then I found my faceted laborodite stones and knew what I wanted to achieve, because I have desperately been wanting to play with my Swarovski 8mm chatons, but was so uncertain I would be able to make it come to life. I had never before tried to come up with a bezel out of my head, I had always bezeled according to directions from others’ projects. So I played around, and played around some more, and finally decided to turn to the stitch I have been working with the most lately, herringbone. And wow!! There they were! And off I went. When it was finished, I was over the moon happy with it. “I saw that in my head!! Look!! Now it’s sitting there on the table!!”


While I was working on Black Ice, another idea came along and hit me upside the head, and now I am working on a piece with Right Angle Weave. And it’s working!! It may come out just the way I saw it... can you tell I’m grinning??!

11.15.2010

Masters - Handmade Division Team Talk About Blog



November's edition of the Etsy Handmade Division Team's Talk About blog is focused on masters of your trade with whom you would like to study. What a marvelous theme!!!! Who doesn't have people that they really look up to and aspire to in any craft?! And, of course, I am thrilled to have a chance to talk about those ladies (and gentleman) who I consider to be beadweaving masters.

First is Ann Tevepaugh Mitchell, who creates the most amazing figures out of beads that I have ever seen. Ann evokes so much emotion with her art that it leaves me breathless. Her colors, her 'found' objects, her mastery of peyote; all combine to form something above and beyond. Her realistic human figures are made with beads combined with materials such as stones, glass bottles, and shells. My absolute favorites are Kosovo and Refugees. In Refugees, the bugle beads used to convey the burdens that the figures carry are so bristly that you are sure that if you touch, you'll get pricked. In Kosovo, you can almost feel the soft wooliness of the fabrics she has shown in beads. I would be honored to study under Ann, an incredibly visual and tactile artist. If you haven't seen Ann's work, I encourage you to get a copy of Lark's Master Beadweaving book, which includes Ann, as well as other 35 more amazing bead artists.

David Chatt would have to be my next Master - not only is his beadwork incredibly architectural, but he chooses the coolest things to bead!! Artist in Residence is my absolute, hands-down favorite piece of his. The fact that the house opens up, and the way it opens up, and the chair that sits within - !!!!! And of course, his Breakfast Set; who but David would think to bead eggs, bacon, toast (complete with pat of butter), napkin, et all??! And it all looks yummy enough to dig right into. He blows my mind.

Then there is Linda L. Jones. Her color work is brilliant. Her work is also very tactile, with bumps and ridges and large beads that you just want to caress (many of these polymer clay beads are her own originals as well)...and the shading in some of her embroidery pieces makes it look as though you could jump right INTO the work and find yourself in a completely different world. Her work Radiance is so subtly full of grace that at first you don't notice it, you are just completely blown away with the quality of the beadwork...but the longer you look, the more you feel.

NanC Meinhardt is another Master I would adore to learn from. Her use of form and color make me want to jump around and celebrate. And frequently ask "How did she DO that?" too. Some of NanC's pieces are kind of warm and fuzzy; here I am thinking of her Fable Vessel, where some of the fringing looks almost like yarn, while other's are hard, spiky and almost angry (Sssssssnake springs to mind). One of the many things I admire is NanC's complete and utter abandon with her beads. How I would love to let my beads take me there!

And that is the common denominator amongst all three of the people I chose to highlight today; their work makes me feel: whether I am giggling, hungry, angry or trying to hold back tears, their pieces all emotionally affect me. For me, that has always been what true Art is about - it makes you feel, it touches you; you don't look at it, like it, and move on - you come back to it time and again either in the physical world or in your head, and you think on it, because it made you feel. I'm going to leave you with one of Linda's pieces, but I'm not going to say how it affects me; you have to feel on your own.

Don't forget to check out all the other team members' blogs to read about their Masters, too!!

11.03.2010

Bead Mavens, Ice Queens, and Time


Wow it's been a long time since my last blog post. I think the whole thing around losing Honeybutter (previous post) got me more depressed than I thought it did. I've also been busy busy busy with a whole lot of different things, including a once-a-week blog post for the group I am now a part of : The Bead Mavens! I just now realized this morning that I hadn't blogged about becoming a member. The group is chock full of wonderfully, phenomenally talented beaders and I am very very proud to be included among them. It has been a lovely experience, getting to know each of them (and some of them even better than I knew them before), and to see what we can learn from one another as we try to share with others the knowledge and experience we have ourselves. Part of the fun of the group has been getting a challenge up and going, and the first one we've issued publicly is called Ice Queen; it's an invitation to make something beady in an icy, glamourous theme and have a chance at winning the considerable (and growing) prizes that we've had donated. (Some of these prizes include: gift bags from Artbeads, a store coupon for Kandra's Beads, dichroic glass goodies, cabochons, and some beady goodness from Kelly Angeley of Beadologie on Etsy, to name a few.) If you haven't visited yet, come and see us on our website, our forum, our Facebook page and our blog - and enter the challenge!!! You can also see what the Mavens have created for pieces for the challenge, although we aren't eligible for prizes ourselves.

It seems like time has just been flying past for me this year, I can't believe it's almost time for Thanksgiving again. I've had so many projects going at once that I've lost track of some of them and am sure I'll find the bits and pieces here and there as I try to play catch-up this next week or so. Right now, after finally finishing my Winter Flowers necklace for the Mavens' Ice Queen, I have to get to work on a cuff I've promised to one of my wonderful cabochon suppliers.

And clean the house, and brush the dogs, and try to figure out supper, and put away the load of beading supplies that are hiding my desktop again, and.... well, you know. If I didn't have a nasty cold (which I generously shared with my husband), I would most likely be getting things done much more quickly.

10.15.2010

Stealing

Nah, I'm not talking copyright or designs. One of my necklaces is gone. I know I transported it to the gallery, but it's just gone, and right before they were going to feature my work, they contacted me to let me know that although they had this one necklace, they didn't have the other, but it was listed among my pieces, and did I know where it was? So I looked. Maybe I had taken it to the other store? Thinking that I might be losing my marbles, I checked at the other store that has my things on consignment. Nope, not there. I feverishly dug through my entire beaded stash. Maybe I had left it behind by mistake? Nope, not there. It is, in fact, nowhere.

Well, it IS somewhere. Most likely with the person who took it.

I'm not angry. Isn't that odd? I don't blame the gallery, or the other store, or myself. I blame whoever walked away with it. But I'm still not mad. And I have no idea of where it was stolen FROM, I am only sure it didn't walk out of my home, as we are hermits and no one ever comes to visit.

What I am, is really sad. I loved that necklace. It was my first attempt at free form right angle weave, and had the most awesome one of a kind (aren't all stone cabs one of a kind?) honey onyx cabochon as the focal. And cool fringe. And really nice colors, soothing, lovely colors that reminded me of honey, and cream and butter and pound cake... I was proud of it.

You know what makes me saddest, though? I was thinking of giving it as a Christmas gift to my friend's mom if it didn't sell. Because she really liked it. No other reason, just because. I love how someone's face lights up when you give them something you know they like, something they really wanted. A really long time ago, I was selling some barrettes I had beaded, they were in the shape of hearts (3 across), and there was one that was all rainbow colors. It wasn't an expensive piece, because I was just starting out and didn't have access to semi precious stones yet, the fringe ends were only 8's. I was only asking for $35. So there I am, hoping against hope that someone will like one of them enough to buy it... and along comes a mother and daughter. Obviously they were not wealthy; they were wearing clothes that had seen a lot of use, and the mom's handbag was really worn. The daughter, a girl of perhaps 6, stopped to look at the things on the table, and her eyes just LOVED that rainbow barrette. Her mom let her look for a minute and then told her that they really had to get going. As they walked off holding hands, the little girl looked back, right before they turned the corner. And I couldn't stand it, so I did a quick-walk after them, and gave her the barrette. How she smiled! It made my whole week.

The whole reason for the above story is this: if the person that took it had come to me, and told me that they loved it, but that they didn't have the money for it, was there any way that we could work something out... I would have given it to them. I would so much rather have given it to them.

Silly, to sit here and cry over something like that. But there it is, I can't help it.


10.14.2010

Talk About Blog - Handmade Division


It's time for the October Handmade Division Talk About blog post, and our topic this time is how we acquired the skills that we have today. Instead of rehashing my older post, where I discussed how I had actually come to beading, I thought that this would be an excellent opportunity to talk more about how I found the skills and how I use them differently now.

Brick stitch was the first stitch I learned, and the ONLY one I learned directly from another beader. Once I had the stitch down, I swear I spent two solid years making brick stitch earrings, brick stitch bracelets, and just plain old swatches of it. During those two years I looked for every book known to man (back then - and there weren't that many) to try to find more stitches. I longed and ached and NEEDED to learn peyote, I was amazed at how other beaders could make it into so many different shapes - especially and above all, self-supporting vessels!! My entire goal in life at that point was to make a bowl or a box or an urn...anything that would hold something else and be entirely made of these gorgeous little tiny seed beads. And it was HARD. It looks so simple, on the diagrams. You just skip over a bead. How could this be so difficult????? I couldn't get the tension right, I couldn't get the beads to lay right (I was using only czech beads at that point), I couldn't figure out how to shape it....and there were NO books that explained how you went from skipping a bead to making it hold together with increases and decreases and how that would make all the difference. It took me two and a half years to finally get proficient enough in the stitch to feel that I had made something that I liked. This seems incredible to me now; most beaders who talk about it these days say that peyote was the first stitch they learned. And there are so many examples of how to do it!! You can't pick up a beading book that doesn't have instructions for not only the stitch itself, but how to do those darn increases and decreases!!! I still struggle with free form peyote, and was sooooooo proud of my first bracelet...well, you all know that, I posted Mystic Pathway everywhere I could! I think that it is still hard because I still don't have confidence in my basics; to get everything to line up, before branching out into unknown waters. I know I can do it; but I don't have confidence in doing it.

Because of all the trials, tribulations and time involved, I think that I value peyote stitch more than the others that I have learned. When you really really have to WORK for it, you are so much more pleased with your results. I love my bead embroidery, but it comes so easily. Freeform work there is simple, I just pick the beads and let them decide where they want to be - and this has been said of freeform peyote, but it just doesn't work the same way for me!! It curls where I don't want it to, it tightens up in the wrong places and drives me nuts when the beads try to tell me where they want to be, as they don't arrange themselves in the same way at all. I would love love love to make a freeform necklace with peyote stitch. It's one of my goals for myself this year.

I have been working on using Beverly Gilbert's book, Beaded Colorways, as a sort of stepping stone in this. Using her three bead netting technique as a base, I have an easier time shaping my piece before beginning to add some peyote in here and there. The bracelet I made recently as part of a trade is my first one; and I can still see where things are curving in a way that I don't care for. But you watch! I'll want it to curl so that it will drape nicely as a necklace, and it will stay perfectly straight, you wanna bet?! I'm not giving up, nope. I am going to keep at it and see what happens - after all, it sure took a long time to get to the basics...


And I had a thought about perhaps using some fibers in as well, and maybe that will make some more of a difference. And, it may help to simply let other stitches creep in there amongst the others...

Make sure you stop by the other team members' blogs to see what they have to say!!!