Snippets from a bead artist.

2.28.2011

We have a winner!!!!!



For those of you who follow my blog regularly and were here for the last giveaway, you know that Teds is my random winner-picker-outer... for those of you just joining in, this is my Pomeranian, Theodore H. Bear, and he loves to be part of the action (any and all action, mind you). So, Teddy snuffled up our winner this morning (and tried to breakfast on it, as well):



I'm happy to announce that Teds picked Melinda LeBarge from the slips on the floor! Melinda, thanks so much for supporting handmade and for entering my little giveaway!! Melinda's favorites were my Thistle Meadow bracelet bangles, but I'll have to run and chat with her to make sure that's what she'd like to choose for her prize.


Thank you to every one of you who purchased from my favorites, for supporting your choice of artists, and your support that you give me, as well! Please do come and try again with my next giveaway, which will be sometime next month or the month after!! Have a fantastic week!

2.20.2011

February BJP, Maven Made and my Giveaway






Good morning to you! Glad you could stop by!

I wanted to post my February Bead Journal Project Piece and catch up a bit... I wasn't too original this month with the BJP; I did a heart, of COURSE, everyone (almost) does hearts for Feb...but I couldn't resist. I think I've come to the conclusion that the final product (a purse) will be made up of these 'quilt' squares. I began with the idea of doing something different each month, design wise, but I've had a lot of fun trying out these quilt patterns, so I think I'll continue.

I've also completed a few new pieces. One is a set for a very dear friend and return customer, and I am happy as heck to let you know that she really liked it:


The other is a spiral necklace I named Cobalt Tear, which includes a lampwork bead that I've been hoarding - I fell in love with it and hadn't been able to think of how I wanted to show case it for a long while. But I like how it turned out, especially the 'bead cap' bit that was the result of one of those little mistakes that turn into happy endings.

I hope I'll get some more entries for my Giveaway, as well!! Please do check out my last post and see the details, I'm keeping it open for entries until the 28th!!

The Bead Mavens (a group of lovely beaders I belong to, for those of you who didn't know already) are holding a spring challenge with a TON of awesome sponsors donating prizes, so if you haven't been to look at it yet, stop by the website for the entry rules. I have yet to start my Vernal Visions piece, but I have some yummy ideas that include some flowers...!

Each of my teammates have been busy, and I thought I would share a bit of their hard work with you here...eye candy!!! Enjoy! (And if you're interested in purchasing any of their work, or any of their patterns, stop by the website as well, for links to each of their shops.)

One of Mikki's newest flatwork designs - I love this one SO much!!


One of Cynthia's newest bracelets - my favorite colors!

A WONDERFUL new idea in rings by Christina - these ROCK!!



And a brooch made by Linda - another one of my favorites! Her brooch was made earlier during the winter; Linda is working on a Secret Project and I can't share yet, but make sure to keep your eyes peeled, it's going to be STUNNING!!!

Have a fabulous day and an even better week!!

2.04.2011

Wanna Play Favorites?


Hi all. I'm depressed. So, to cheer myself up, I want to have a giveaway. I love giving things away, I'm odd like that.

Here's what I'm giving away: something from one of my shops, whether it be my Etsy shop or my Artfire shop, worth LESS than $150. The winner gets to choose their own prize from the stock in my shops.

You'll have until February 28th to get in entries.

The rules:

Leave me a comment here on my blog telling me which of the items in my shop(s) UNDER $150 you like best AND:

Go to my favorites on Etsy (or on Artfire) and shop from My Favorite shops; make a purchase from any one of the shops I heart (no matter how much the purchase may be) and you will get a shot at winning. Make sure that you come back here and leave me another comment, telling me from which shop you made your purchase.

Purchase a tutorial or a beaded item from one of the Mavens from any of their shops or websites, get another shot.

None of the ladies and gentlemen in ANY of the shops (including the Mavens) know that I am holding this giveaway, and no one is reimbursing me or giving me any kind of incentive to hold this contest.

Have fun shopping and good luck, I hope to see whole bunches of entries.


2.03.2011

Spaces



I finished another cuff!! I am so happy that I made another one - it's been awhile - but I'm not very happy with how it turned out. I think I should have done something differently, but I can't put my finger on what. It's had a good reception, and people seem to like it, but I'm very lukewarm on it, myself. I keep wondering if the crystals on the edges of the cabs are what are bothering me, or if it's the fact that I think my embroidery seems messy, due to the unrelenting black. I think I was a little crazy when I made it; it's almost all size 15 seed beads and took forever.


I'm thinking on whether I should list it in one of the shops, or send it to the gallery this month when I pick up my October's Goddess necklace from it's display at the Members' Exhibition. Or maybe it should go to New England Beads to hang out...



Now I'm off to start a new project; making a necklace and a cuff for one of my bestest friends on Facebook!! She has sent me some drop-dead gorgeous cabs and crystals to work with and given me complete artistic license to make whatever comes to mind... she's a wonderful lady!

1.29.2011

Bead Journal Project January 2011


Hi all!! I am so excited to show off my very first BJP piece!! I finished it last week, but we didn't get to take the photo until today.

I'm thrilled that I've committed myself to this project this year, and very excited that I think I have chosen a way that will enable me to keep that commitment. I am planning on making a 2"x2" square each month, each with a different motif or pattern, and then combining all of the squares at the end of the year to make a bead embroidered purse. I'm going to use the color black as a unifying element throughout, and possibly brass or bronze as the accent.

This month I chose a green and blue palette, and made a 'quilt square' pattern. It was harder than I thought it would be, especially to get the lines straight and even. But I am enjoying how it has turned out, and have also enjoyed getting materials out to work on throughout the year. Fun!! Also very fun is looking at all the gorgeous works that others have been making for January. Do click on the LINK and go see what everyone has been doing!


In other news, I finished a bangle bracelet with Sand Opal Swarovski elements in it, and I am soooooo in love with this crystal I can't tell you. I kept the colors to a minimum and just used bronze and matte gold for the setting, to show off the crystals better. I called it Regal. And, wonder of wonders, I actually made a pair of earrings for a change, to match!!


Now, on to thinking of February's square, and finishing the new cuff I've started.

1.09.2011

Mistakes, Self Doubt and the Ah-HAH Moment of the Week



I make mistakes. LOTS of them. And lots of them in beadwork, too. I once read of a beading artist who said something along the lines of ‘I won’t sell it unless it’s perfect.’ And I went ‘Huh??’ because I haven’t made one single thing that I think qualifies as perfect. Starting out, I made even more mistakes...tension mistakes, bead choice mistakes, color mistakes, you name it. And I was determined that my piece WOULD be perfect, darn it, or it would go in the mass of tangled bead remains that I keep in case I should ever need that particular bead again. Needless to say, the outcomes were not perfect. I was just starting to learn!! High expectations, indeed. And that set me up for the inevitable self doubt, where one starts to wonder if one can, in fact, make anything at all. I would sit there, sulkily picking at my very visible knots, and think myself into inaction. I had lovely visions of all the things I wanted to create. Ah...but they wouldn’t materialize! Ok, then, I couldn’t come up with a design on my own. Well, then, I better get to practicing.


So then bead books, bead magazines, bead-related web sites, pattern sales, ANYTHING that was published was fair game (as long as it was ethical - I learned quickly that I didn’t care for myself too much if I strayed across that line). I made projects. I messed them up. I made them again. I did one project in Beadwork magazine no less than TEN TIMES over until I was pleased that I had finally figured out the directions. (Um, that one’s actually pretty funny, as it turned out that they had meant to print one direction differently and made a correction/apology in the next issue - by which time my TEN TIMES over project had already revealed the mistake to me...)


I was obsessed with learning to increase and decrease peyote until I could make something 3 dimensional that was self-supporting. I did tutorials and book projects until they were coming out of my ears. Tokia Bridges, Julia Pretl, anything and everything I could find. (Proof is in my Vessel gallery on my website - almost none of them are my own design.) I made Christmas ornaments from patterns bought on Paula Adams’ site. (They were all gifts.) I made beaded beads. Many many vessels and ornaments and beads later, it finally clicked and I understood that a bead placed HERE would not only make it smaller, but would either pooch the beadwork out, or pull it in. Big huge sigh of accomplishment, and I happily made three or four of my very own designs. And then, of course, once it was thoroughly learned, I got bored.


This happened with most stitches. I would obsess, do a few hundred projects, finally get to making my own designs, and get bored. And through every single one of my little rabid stitch obsessions, I made mistakes. It took me years to finally stop cussing and start paying attention to the fact that every mistake taught me something else; pay more attention to where your thread path leads and exits; break the darn bead if it’s ten miles back from where you are currently instead of ripping out YARDS of beadwork (and go back and add the proper bead later); make a knot when you’ve completed a bit you’re particularly happy with; slow down; try a different bead, etc etc.


At some point, I stopped doing the projects, although I continue to get the books and magazines. I read through the projects now to understand how the artist got the effect that they created, and I pay the most attention to the bits that are labeled “NOTE” or “Artist’s Tip.” And I love what artists are making; but now I just want to make something that their project inspired, or make something completely different... Although I must confess, I am still obsessing - over freeform peyote, which has me bamboozled. I’ve made two bracelets (my own designs) and I am still voracious for more technique information, more hints, more tips. I look at freeform peyote and fondly wonder if it came about from a mistake: “Crap! Look at that! I used the wrong color for at least an INCH while I was watching that TV show.... wait, what if I add this? And then maybe this other size?? Hey! That’s COOOOOOLLLLL...”


And I still make mistakes. Nowadays, I hide them better, that’s all. Or I manage to incorporate them into the design (I LOVE bead embroidery!!!!), or, as a last resort, I go back and fix ‘em. And I finally LIKE them a little. It’s OK with me that I make the mistakes, I don’t mind learning from them, or having to go back and try again. I can take up some beads, make a complete mess, and go ahead and start again without the level of frustration I had before. Because now, by some magic, and a lot of practice, I can at long last create what I see in my mind. And to me, that is amazing and thrilling and, to quote my Mom, ‘the cat’s ASS!!!!!!’ (By which she meant awesomely incredible.) So that was my ah-HAH moment of the week. It took forever, but I’ve learned enough to feel comfortable trying things and not having them work every time. Wow. This made some of that horrible self-doubt recede into the background, at least for now. Freedom!!


In particular, I was so happy with my newest bracelet design, Black Ice. I had this vision kind of floating around happily in my head...not very well defined (my muse doesn’t work that way - I don’t get detailed schemata, I get fuzzy visuals with no details), but just THERE. It wouldn’t go away. I worked two whole other projects (maybe three) while it drifted around... and then I found my faceted laborodite stones and knew what I wanted to achieve, because I have desperately been wanting to play with my Swarovski 8mm chatons, but was so uncertain I would be able to make it come to life. I had never before tried to come up with a bezel out of my head, I had always bezeled according to directions from others’ projects. So I played around, and played around some more, and finally decided to turn to the stitch I have been working with the most lately, herringbone. And wow!! There they were! And off I went. When it was finished, I was over the moon happy with it. “I saw that in my head!! Look!! Now it’s sitting there on the table!!”


While I was working on Black Ice, another idea came along and hit me upside the head, and now I am working on a piece with Right Angle Weave. And it’s working!! It may come out just the way I saw it... can you tell I’m grinning??!

11.15.2010

Masters - Handmade Division Team Talk About Blog



November's edition of the Etsy Handmade Division Team's Talk About blog is focused on masters of your trade with whom you would like to study. What a marvelous theme!!!! Who doesn't have people that they really look up to and aspire to in any craft?! And, of course, I am thrilled to have a chance to talk about those ladies (and gentleman) who I consider to be beadweaving masters.

First is Ann Tevepaugh Mitchell, who creates the most amazing figures out of beads that I have ever seen. Ann evokes so much emotion with her art that it leaves me breathless. Her colors, her 'found' objects, her mastery of peyote; all combine to form something above and beyond. Her realistic human figures are made with beads combined with materials such as stones, glass bottles, and shells. My absolute favorites are Kosovo and Refugees. In Refugees, the bugle beads used to convey the burdens that the figures carry are so bristly that you are sure that if you touch, you'll get pricked. In Kosovo, you can almost feel the soft wooliness of the fabrics she has shown in beads. I would be honored to study under Ann, an incredibly visual and tactile artist. If you haven't seen Ann's work, I encourage you to get a copy of Lark's Master Beadweaving book, which includes Ann, as well as other 35 more amazing bead artists.

David Chatt would have to be my next Master - not only is his beadwork incredibly architectural, but he chooses the coolest things to bead!! Artist in Residence is my absolute, hands-down favorite piece of his. The fact that the house opens up, and the way it opens up, and the chair that sits within - !!!!! And of course, his Breakfast Set; who but David would think to bead eggs, bacon, toast (complete with pat of butter), napkin, et all??! And it all looks yummy enough to dig right into. He blows my mind.

Then there is Linda L. Jones. Her color work is brilliant. Her work is also very tactile, with bumps and ridges and large beads that you just want to caress (many of these polymer clay beads are her own originals as well)...and the shading in some of her embroidery pieces makes it look as though you could jump right INTO the work and find yourself in a completely different world. Her work Radiance is so subtly full of grace that at first you don't notice it, you are just completely blown away with the quality of the beadwork...but the longer you look, the more you feel.

NanC Meinhardt is another Master I would adore to learn from. Her use of form and color make me want to jump around and celebrate. And frequently ask "How did she DO that?" too. Some of NanC's pieces are kind of warm and fuzzy; here I am thinking of her Fable Vessel, where some of the fringing looks almost like yarn, while other's are hard, spiky and almost angry (Sssssssnake springs to mind). One of the many things I admire is NanC's complete and utter abandon with her beads. How I would love to let my beads take me there!

And that is the common denominator amongst all three of the people I chose to highlight today; their work makes me feel: whether I am giggling, hungry, angry or trying to hold back tears, their pieces all emotionally affect me. For me, that has always been what true Art is about - it makes you feel, it touches you; you don't look at it, like it, and move on - you come back to it time and again either in the physical world or in your head, and you think on it, because it made you feel. I'm going to leave you with one of Linda's pieces, but I'm not going to say how it affects me; you have to feel on your own.

Don't forget to check out all the other team members' blogs to read about their Masters, too!!